I love this place in the canyon. It had always appeared to me as a place to gather; gather friends, gather performers, or just gather any group of people in the shade of a tree, sitdown and have a beer, and a very good conversation.
I received a very fine complement on one of my flower macros. Actually, the complement used one macro image to refer to the quality of almost all my flower images. Thank you Vern. … Vern’s Link.
Back to today. 😉
After thinking about my response to his complement where I said something like, “Flowers are all over the place. You do not have to drive anywhere, and waste gas, nor are there other hidden costs for keeping your photo practice up-to-date.” … Or something like that.
I thought I might illustrate that statement. So I did. … That little image, of the tiny moss heads, was shot a couple hours ago. … The moss is from a potted plant in the back yard. The little instructional image following, also includes some extra information. … 🙂 Ok, not much extra information, but it does show how I got the background.
by Jack Foster Mancilla
I push through space, through brightness, and shadow,
languidly pulsing my life force through the continuum.
On my tendrils the soft current of the breeze shallow
peaks my interest of tastes and sex. Tongues my medium
like agars replete with life, nourishing, and driving
my very self to reproduce. Bring me my mate, my bodied
complement, I search the flowing agar-agar for your scent.
Long has been my toil, my primal quest near atrophied.
Again, I catch the waft of your passing. Please, relent.
Rough banging upon my being, assailed by torrents maddened,
bereft of nourishing agar, cast upon the hardness of empty,
immobilized by I know not what, my tendrils movement dampened,
I long to be free. Yet, I feel the future of my passing entity.
a photo by LensLord on Flickr.
An early morning walk through the neighborhood, brought this blooming to my eyes.
Later, in the life cycle of this flower, it would be very different, the reds would be gone, replaced by something more muted. The purples would have lost the richness, and become very blue. And the single white, would be joined by a whole flock of white siblings.
|From a walk on Fiesta Island.|
This is what the plant looks when it is a little older. You will need to click on the image to see a larger version. 🙂
Sometimes things are hidden.
San Diego has many beautiful areas in which one can play with a camera. Some of the places are hidden, like under the trees in Tecolote Canyon. Some of them are out in the open, for all to see, like Fiesta Island.
Fiesta Island is in the middle of Mission Bay. People play Over-The-Line there. They go water-skiing, kayaking, watch the Thunder Boats, walk their dogs. People do all kinds of things there.
Mostly people do those things on the edges of Fiesta Island, next to the water. After all, is that not why you go to an island in Mission Bay, to play on a beach, and in the water?
But on the interior of the island, things are quite different. Here is a link to a bunch of images on Fiesta Island. Most of these images have nothing to do with the water.
And then, we have the image of the Jimson Weed. It was hidden under the yellow flowers, on the little-traveled interior of Fiesta Island.
Here we have a beautiful human being, running with a full head of steam towards her future, tomorrow.
In Andi’s world, tomorrow does not creep in its petty pace, from day to day, to the last sylabal of recorded time. Nope! In Andi’s world, running headlong into tomorrow, we can see a wondrous world.
I like this place.
a photo by LensLord on Flickr.
The desert is an amazing place when it is still. When it is still, you can peer through the mists of time.
This is a very specific example of time travel. Here, at these very rocks, for millennia congregated Native Americans. In ancient times, it was the place to be. People sat here, and talked, smoked, exchanged goods, maybe they even made political alinements, weddings. … We can never be really sure what happened here generally.
But, we can be one hundred percent positive that man gathered here, and they wrote on the rocks.
Our archeologists, and scientists, have analyzed the symbols, and decided that they stand for many things. … But, what those symbols really stood for in the minds of the people who spent their time at the rocks, etching the symbols that have stood in this desert for a very long time, That we have no way of knowing.
One other thing we can know. … We can know the majesty of a sunset at these rocks, especially when you share that time with friends.
Let us speak of sunsets and the time just after the sun has gone. Here is one of those images. …
Usually, I like clouds to grab the light from the sun as it slips over the horizon and out of my view, but it lights the remaining, high altitude, clouds very nicely. … On this evening, there were no clouds. I was a little disappointed for the nonce, because I always think about what I am planning to shoot before I head out to shoot. … The weather chose to ignore my planing, and the sky remained cloudless. …
Still, I looked at the sky, and what was there, and I thought it beautiful.
Some of the first, easily noticed, spring flowers are the Silver Lupins that pop up. … They are mostly noticeable because they are purple/blue, and stand out from the normally dusty colors of Southern California.
This plant jumped up on a firebreak along Tecolote Canyon after our most recent rain.
Lupinus albifrons, Silver lupine, white-leaf bush lupine, or evergreen lupine, is a species of lupine (lupin). It is native to California and Oregon, where it grows along the coast and in dry and open meadows, prairies, and forest clearings. It is a member of several plant communities, including coastal sage scrub, chaparral, northern coastal scrub, foothill woodland, and yellow pine forest.
Lunar View Cafe – Dancing in the Dark of the Moon
[by Jack Foster Mancilla]
Purchase this image.
Or view on Flickr.
These two images were taken exactly seven minutes apart, on the same day, December 10, 2011, in Ocean Beach California.
It was my intent to wait until the moon got as low as it could, so that I could capture the Moon, the Pier, and the Surf, with maybe a little sand. Alas, it did not come to pass. We are all limited by external forces. 😉
I got there early, and used my compass and “The Photographers Ephemeris” on my iPhone to plot where the moon would actually set. The Moon would eventually set just right of center in these two images, if it could be seen.
That was the problem. I had forgotten to consider that the eclipsed moon is very dark, in contrast to the dawning sky. … So, as the sky lightened, the moon faded away. It faded away long before it even got to the fog bank that you can easily see in the second image.
I find it very interesting to open both these images in two separate tabs of my web browser then use my arrow keys to jump quickly from one image to the other to compare the height of the moon, and the lightness of the sky.